All this machinery. Making modern music. Can still be open-hearted.
From “The Spirit Of Radio”, Rush. Lyrics by Neil Peart.
On Tuesday evening I had the immense pleasure of attending The Australian Pink Floyd gig at the Royal Concert Hall in Nottingham. It was a remarkable concert — stunning musicianship, awesome (literally) visuals, and beyond-impressive interpretations of Pink Floyd classics.
What made the gig extra special for me was that I had the opportunity to spend quite a bit of time backstage at the invitation of the Aussie Floyd’s guitarist, David Domminney Fowler. Despite his hectic touring schedule, Dave finds time to pursue interests in physics, maths, and the music-maths-physics interface. For example, he’s worked with Sean Riley on the Computerphile YouTube channel, including this fascinating video on translating visual information to music:
I’ve worked with Sean for a recent Sixty Symbols project and have similarly thoroughly enjoyed collaborating with him on a Computerphile video in the not-too-distant past, so was delighted when I got an e-mail asking if I’d be interested in meeting up with Dave when the band played Nottingham. I, of course, jumped at the chance.
Dave talked me through his impressive guitar rig (and variety of guitars) before the gig, and even generously gave me the opportunity to try out a few of his ‘axes’ (including his beloved Telecaster; I’d not played a Telecaster before). What particularly struck me was Dave’s forensic attention to detail in capturing the Floyd sound. Some of this was due to the signal processing — there were a number of classic analog pedals and kit on the way from the guitar to the amp — but the vast majority came from Dave’s exceptionally tasteful and accomplished playing. You can see what I mean in this video:
If you’ve not yet seen The Australian Pink Floyd, I thoroughly recommend them. I’ve run out of superlatives to describe ’em. Trust me, you won’t be disappointed -Dave’s Comfortably Numb solo is worth the ticket price alone.
Moreover, Mr. Fowler certainly gives Dave Grohl a run for his money in the “nicest man in rock” stakes. Maybe it’s a Dave thing…