Denim and leather brought us all together

After the thrash metal overkill of last weekend, this week it was the turn of some heavy duty NWOBHM to crank the volume to the point of pain. I’m still recovering from the early eighties flashbacks induced by Saxon’s set at the Royal Concert Hall on Saturday night so please forgive this relatively short review. (Fortunately, my voice is now rather less croaky — it spent most of Sunday recuperating from my hollering along to “Wheels Of Steel”, “Dallas 1 pm”, “Strangers In The Night” and a bevy of other (head)banging metal classics…)

Up before Biff and the Barnsley boys, we had the classic rock of Wayward Sons, fronted by Toby Jepson, the erstwhile Little Angels frontman. (Bonus review points before they played a note for wandering on stage to the strains of Johnny Cash’s “I Shot A Man In Reno”). As a thrash metal fan in the late eighties I had to keep my penchant for Little Angels material well under wraps — “Too posh to mosh” and all that — but I always had a soft spot for Jepson’s voice. (After all, he comes close to Geddy Lee’s stratospheric vocal register at times. Even now in the throes of middle age. Bastard.) She’s A Little Angel is still very welcome indeed when it appears on shuffle on my phone.

But Wayward Sons aren’t about capturing Mr. Jepson’s past glories — they’re a much more seventies-style hard riffing, hard rocking band with none of the hair metal pretensions of Little Angels. Their down to earth rock ‘n’ roll is imbued with a wonderfully infectious sense of enthusiasm, some beefy Bonham-esque backbeats, and even a very welcome Thin Lizzy feel at times. Last year’s “Until The End” is as good an introduction as you’ll get…

I’ll definitely be looking out for Wayward Sons in the future — high octane rock with a sound that may well not be fashionable ever again. But that’s just the way we like it.

Doro Pesch, the long-crowned Queen of Metal, was next to tread the Royal Concert Hall boards. I’ve never been a fan, I’ve got to admit, but Doro deserves quite some respect for flying the metal flag so loyally for quite this long. And she and her band certainly can command a crowd…

Doro’s set took the Spinal Tap influence and, it’s got to be said, cranked it far beyond 11. Here are the lyrics for the chorus of the closing song of the set, “All For Metal”…

Oh-oh-oh, oh-oh, oh-oh
Oh-oh-oh, oh-oh, oh-oh
Oh-oh-oh, oh-oh
All for metal (Metal)
Oh-oh-oh, oh-oh, oh-oh
Oh-oh-oh, oh-oh, oh-oh
Oh-oh-oh, oh-oh
Gods of metal (Metal)

How much more metal could this be? None. None more metal. (Metal)

And then it was time for the main event. Saxon were not only one of the first metal bands I got into but were a formative part of my musical education back when I were a lad. I distinctly remember feeling rather pleased with myself when I nailed the riff for “Strong Arm Of The Law” as a fledgling guitarist — one of the first “proper” guitar parts I learned — after rewinding and replaying the cassette of the album for what seemed like weeks (but was probably months). Here’s that riff reverberating across the Concert Hall on Saturday night…

Classic old school metal tunes were mixed with Saxon’s newer (and rather heavier) material. I’ll be brutally honest, however — I was there for the nostalgia trip. Kudos to Biff and the boys for not resting on their laurels and continuing to write and perform new material, but give me “And The Bands Played On” over “Sacrifice” any time. Fortunately, they did. Better still, the Barnsley ‘bangers closed their fan-pleasing set by belting out this anthem for the NWOBHM generation…

I can’t hear you…

Where were you in ’79 when the dam began to burst?
Did you check us out down at the local show?
Were you wearing denim, wearing leather?
Did you run down to the front?

Did you listen to the radio every Friday night?

Author: Philip Moriarty

Physicist. Rush fan. Father of three. (Not Rush fans. Yet.) Rants not restricted to the key of E minor...

One thought on “Denim and leather brought us all together”

  1. I wish I’d known Doro was playing Nottingham! The music’s a bit cheesey, but she’s one of the best frontpersons I’ve ever seen (at the Female Metal Voices festival in Belgium-the OH used to go every year, but once was enough Goth Metal for me).

    Liked by 1 person

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